You can read an interview with Paul Day that was published in the Evening Standard here.
Quote of the day: Raf Simons
1 week ago
I am a kid of the 80s and I totally love the era; the cool music, the wonderful films and ever so glam TV. Ok the fashion was a bit iffy, what with the over sized t-shirts, the leggings and shoulder pads but man those were some great times. One of major things that came out of that decade were coming of age movies such as The Breakfast Club, St Elmo's Fire, Pretty in Pink, Sixteen Candles and Ferris Bueller's Day Off. The themes tended to be middle class teen or early twenties angst set against a backdrop of a large city. The stars in these films were Molly Ringwald, Emilio Estevez, Rob Lowe, Andrew McCarthy, Ally Sheedy, Judd Nelson and Demi Moore who were dubbed The Brat Pack in reference in the 1950s Rat Pack. Last week I had an 80s movie marathon and watched Pretty in Pink, The Breakfast Club and St Elmo's Fire. Pretty in Pink stars Molly Ringwald, a beautiful boho who is from the wrong side of the tracks who falls for one of the rich guys at her school. The Breakfast Club is a story of five teenagers who represent a different clique from their school who are forced to spend Saturday in detention together. After telling stories, insulting each other, dancing and opening up, the group discover that they have a lot more in common then they originally thought. St Elmo's Fire is a slightly more sophisticated film, that features a group of friends who have just graduated from University.
Not very long ago I used to look at famous pop stars on TV and be envious of how rich they were what with their multi million album deals and super glam lifestyles. Little did I realise that things were not as perfect as they seemed. Musicians and singers were nothing more than commodities and the music industry is very little about talent and more about unit sales. Once the poor artists has signed on the dotted line they were fleeced by their managers and label mercifully. Hence the dynamic initiative by Hamfatter, a rock band who appeared on this week's business reality show, Dragon's Den pitching for investment. When asked why they did not go down the conventional route of record labels, they put it simply, "when you sign with a record label you are given an advance as you would have when buying a house, at the end when you have paid back that advance you own your home, however in the music industry, the record company would still own your material." A no brainer. Yet this is just the tip of the iceberg of the debauchery that goes on in the music business which is captured perfectly by Imogen Edwards-Jones in her new book, Pop Babylon. The 'Babylon' books go behind the scenes of a glamorous industry and exposes all the scandals and lies. Pop Babylon is no different and shows us exactly what it takes to create a top selling boy band and the huge engine that ticks behind them. Lots of juicy secrets are revealed and mark my words you close the book feeling very sorry for those pop tartlets.
There was a time when The Observer was seen as a paper for fuddy duddies. However with a funky modern look, the paper that only OAPs used to read is now appealing to the young and trendies. A lot of this has a lot to do with the fantastic supplements that are produced and distributed with the Berliner designed paper. As well as colourful sections on travel, sport, money and business, almost every week there is an Observer magazine. It all started back in 2000 when the much acclaimed Observer Sport Monthly ie OSM was launched. Packed with features and interviews, this was a glossy mag that not only looked good but was also a damm good read. Being the sports buff I am, I loved it. OSM was soon followed by Observer Food Monthly, inevitable considering the nation’s new obsession with food, then we had the Observer Music Monthly and last but not least, the Observer Woman Monthly aka OWM. With a staple diet of sex, relationships, style, shopping, health and beauty, OWM made its debut in January 2006 fighting for attention with the likes of YOU, Stella and Style. I will admit that not every issue has hit the mark for me and some have very much been hit and miss. Although OWM contains hard hitting features it lacks the beauty and appeal of supplements such as YOU and co. However, this month’s issue really outclasses itself. Using the theme of coolness, OWM combines the new up and coming faces of Britannia with some pure heavyweights; there is a four page interview with Pop goddess, Katie Grand, a meaty profile on Mary Portas from Mary Queen of Shops, a revealing profile on Biba founder, Barbara Hulanicki as well as a narrative from Julie Burchill telling is about her coolest moment. This is an issue I will certainly treasure and if you missed it, never mind because you can catch it online.