You can read an interview with Paul Day that was published in the Evening Standard here.
Margaret Howell AW26 by Collier Schorr
3 weeks ago
I am a kid of the 80s and I totally love the era; the cool music, the wonderful films and ever so glam TV. Ok the fashion was a bit iffy, what with the over sized t-shirts, the leggings and shoulder pads but man those were some great times. One of major things that came out of that decade were coming of age movies such as The Breakfast Club, St Elmo's Fire, Pretty in Pink, Sixteen Candles and Ferris Bueller's Day Off. The themes tended to be middle class teen or early twenties angst set against a backdrop of a large city. The stars in these films were Molly Ringwald, Emilio Estevez, Rob Lowe, Andrew McCarthy, Ally Sheedy, Judd Nelson and Demi Moore who were dubbed The Brat Pack in reference in the 1950s Rat Pack. Last week I had an 80s movie marathon and watched Pretty in Pink, The Breakfast Club and St Elmo's Fire. Pretty in Pink stars Molly Ringwald, a beautiful boho who is from the wrong side of the tracks who falls for one of the rich guys at her school. The Breakfast Club is a story of five teenagers who represent a different clique from their school who are forced to spend Saturday in detention together. After telling stories, insulting each other, dancing and opening up, the group discover that they have a lot more in common then they originally thought. St Elmo's Fire is a slightly more sophisticated film, that features a group of friends who have just graduated from University.
Not very long ago I used to look at famous pop stars on TV and be envious of how rich they were what with their multi million album deals and super glam lifestyles. Little did I realise that things were not as perfect as they seemed. Musicians and singers were nothing more than commodities and the music industry is very little about talent and more about unit sales. Once the poor artists has signed on the dotted line they were fleeced by their managers and label mercifully. Hence the dynamic initiative by Hamfatter, a rock band who appeared on this week's business reality show, Dragon's Den pitching for investment. When asked why they did not go down the conventional route of record labels, they put it simply, "when you sign with a record label you are given an advance as you would have when buying a house, at the end when you have paid back that advance you own your home, however in the music industry, the record company would still own your material." A no brainer. Yet this is just the tip of the iceberg of the debauchery that goes on in the music business which is captured perfectly by Imogen Edwards-Jones in her new book, Pop Babylon. The 'Babylon' books go behind the scenes of a glamorous industry and exposes all the scandals and lies. Pop Babylon is no different and shows us exactly what it takes to create a top selling boy band and the huge engine that ticks behind them. Lots of juicy secrets are revealed and mark my words you close the book feeling very sorry for those pop tartlets.